Two years ago at the International
Short Story Conference in Toronto, four of my valued colleagues and I delivered
papers on a story by Alice Munro, “Passion” (from Runaway), for the
opening Plenary Session of the Conference.
Due to the good offices of my longtime friend Susan Lohafer,
arrangements were made with James Phelan, editor of the scholarly journal Narrative (not to be confused with the online literary journal of the same name) to publish expanded versions of the five papers, along with theoretical
discussions of the short story and dialogues about the short story by the five presenters. The issue includes a long Introduction, which presents a theoretical/historical context for the study of short fiction by all five presenters.
A special issue of Narrative,
devoted solely to these papers and discussions, has now been published and is
available from the Ohio State University Press in Columbus, Ohio. (www.ohiostatepress.org) The contents of the issue are also available
in PDF format from Project Muse, if you have access to this service.
In case you might be interestested,
I am posting the table of contents of the special issue and bios of the participants below. As a special, sad, note, I call your attention to the fact that the
issue is dedicated to my friend and colleague Per Winther, who died so suddenly
and unexpectedly recently from cancer.
Narrative
Volume
20, Number 2, May 2012
Part
One
Introduction --pp. 135-170
Part
Two
Pockets of
Nothingness: “Metaphysical Solitude” in Alice Munro’s “Passion” --pp. 183-197
The Stories of “Passion”: An Empirical Study --pp. 226-238
Part
Three
Dialogues --pp.
239-253
Bios of the Five
Participants
Until his retirement in
August 2010, Per Winther was for many years Professor of American and Canadian
Literature at the University of Oslo, with the Anglo-American short story as a
major critical and theoretical interest. His publications include The Art of John Gardner:
Instruction and Exploration and,
co-edited with Jakob Lothe and Hans H. Skei, The
Art of Brevity: Excursions in Short Fiction Theory and Analysis and, with the same co-editors, Less Is More: Short Fiction Theory
and Analysis. He is a Visiting Scholar at the University of British
Columbia in Vancouver, researching leading Canadian short story writers: Mavis
Gallant, Alice Munro, Margaret Atwood and Rohinton Mistry.
Michael Trussler has
published literary criticism, poetry and short fiction. Encounters (short fiction) won the City of Regina
and Book of the Year Award from the Saskatchewan Book Awards in 2006. Accidental Animals (poetry) was short-listed for the same
awards in 2007. A Homemade
Life, an experimental Chapbook of text and photographs, was published by
JackPine Press in 2009. He teaches English at the University of Regina.
Michael Toolan is Professor
of English Language at the University of Birmingham, UK, where he convenes the
MA programme in Literary Linguistics and is also editor of the Journal of Literary Semantics.
His books include Language in
Literature andNarrative: A
Critical Linguistic Introduction and
most recently, Narrative
Progression in the Short Story: A Corpus Stylistic Approach.
Charles E. May is professor
emeritus of English at California State University, Long Beach. He is the
author of Edgar Allan Poe: A
Study of the Short Fiction and The Short Story: The Reality of
Artifice, and editor of Short
Story Theories, New Short
Story Theories, Fiction’s
Many Words, The Twentieth
Century European Short Story, and Flannery
O’Connor: Critical Insights. His edited collection, Alice Munro: Critical Insights,
will be released in 2012. He has published over 300 articles and reviews,
mostly on the short story, in a variety of journals, books, newspapers, and
reference works. He maintains a blog entitled Reading the Short Story at
may-on-the-short-story.blogspot.com
Susan Lohafer has taught in
both the American Literature area and the MFA Program in Nonfiction at The
University of Iowa. She is the author of Coming
to Terms with the Short Story and Reading for Storyness: Preclosure
Theory, Empirical Poetics, and Culture in the Short Story, as well as the
co-edited collection Short
Story Theory at a Crossroads. Her essays on short fiction theory have
appeared in various journals and collections, and she has published short
stories in The Southern Review,The
Antioch Review, and
elsewhere.
2 comments:
Charles, wonderful blog and required reading, but I wonder if you would cover Katherine Anne Porter at some point. I've just read the Willima Gass essay on her in Life Sentences but this seems to me more a reflection on her biography than her stories. She's a writer I admire more than I love but I am curious about her work and her standing at this point.
Charles, wonderful blog and required reading, but I wonder if you would cover Katherine Anne Porter at some point. I've just read the Willima Gass essay on her in Life Sentences but this seems to me more a reflection on her biography than her stories. She's a writer I admire more than I love but I am curious about her work and her standing at this point.
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